{"id":40184,"date":"2026-01-27T11:53:11","date_gmt":"2026-01-27T11:53:11","guid":{"rendered":"https:\/\/demo4.dedicatedhost247.com\/news\/5-agatha-christie-stories-better-than-netflix-seven-dials-tv-radio-showbiz-tv\/"},"modified":"2026-01-27T11:53:11","modified_gmt":"2026-01-27T11:53:11","slug":"5-agatha-christie-stories-better-than-netflix-seven-dials-tv-radio-showbiz-tv","status":"publish","type":"post","link":"https:\/\/demo4.dedicatedhost247.com\/news\/5-agatha-christie-stories-better-than-netflix-seven-dials-tv-radio-showbiz-tv\/","title":{"rendered":"5 Agatha Christie stories better than Netflix’ Seven Dials | TV & Radio | Showbiz & TV"},"content":{"rendered":"


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\"And<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/p>\n

With the release of Seven Dials, here’s five adaptations of Agatha Christie’s novels that are better (Image: BBC)<\/span><\/span><\/div>\n

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To anyone who knows me, I\u2019m an absolute sucker for a thriller, \u2018whodunnit\u2019, crime book, film<\/a>, TV series<\/a>, you name it, I\u2019ll watch it. For those who know what\u2019s in my book<\/a> collection, they\u2019ll find it inundated with Agatha Christie novels.\u00a0<\/p>\n<\/div>\n

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I\u2019ve read nearly three-quarters of her Poirot series, as well as a number of her standalone mystery novels. I think that qualifies me as a certified Christie-nut and amateur sleuth. So when Netflix<\/a> dropped Agatha Christie\u2019s Seven Dials Mystery earlier this week, I knew my expertise was being called to figure out this whodunnit.<\/p>\n<\/div>\n

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READ MORE:<\/strong> Detective thriller hailed as ‘Netflix’s best drama’ that’s ‘very dark and real’ <\/a><\/p>\n

READ MORE:<\/strong> Disney Plus has ’10\/10′ drama that’s left viewers on edge of their seats <\/a><\/p>\n<\/div>\n

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\"The<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/p>\n

Netflix’s The Seven Dials Mystery has been storming the streaming channel’s rankings (Image: PA)<\/span><\/span><\/div>\n

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Spoiler: I figured it out. A benefit of reading and watching thrillers since childhood means you can pick apart the evidence, plot holes and formulae followed by writers. In essence, the majority follow the same formula, and once you realise this, you begin to employ your own \u201clittle grey cells\u201d.<\/p>\n<\/div>\n

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However, on the other hand, it means that those all-important climactic moments simply don\u2019t hit the sweet spot as they once had. Nothing surprises me anymore, sadly.<\/p>\n<\/div>\n

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Seven Dials has all of the classic Christie elements: a plucky protagonist in search for justice, a group of characters who could be in the fold for murder, and a series of revelations made known right at the end. However, translating Christie\u2019s work from page to screen is a different task, and Seven Dials fell short.<\/p>\n<\/div>\n

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There\u2019s a whiff of conspiracy running through the show, which Bundle (Mia McKenna-Bruce, a triumph) is determined to pin down, of something much larger than herself. It\u2019s entertaining, there\u2019s no doubt about that, however, for me, it lacked suspense and heightened tensions.<\/p>\n<\/div>\n

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Perhaps that\u2019s down to the muddying of the ending, which differs slightly from the novel. There\u2019s nothing wrong with making tweaks and adapting them for screen, but I\u2019ve watched and listened to better versions of Christie\u2019s mysteries.<\/p>\n<\/div>\n

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Here are five Christie\u2019s stories that will make you think twice and then twice again.<\/p>\n<\/div>\n

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\"<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/p>\n

And Then There Were None is one of the world’s best mystery stories of all time (Image: BBC\/Mammoth Screen\/Des Willie)<\/span><\/span><\/div>\n

BBC\u2019s And Then There Were None (2015)<\/h3>\n<\/p>\n
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This novel began my encounter with Christie when I listened to the BBC<\/a> Radio 4 version at 14 years old. It was an ending you just couldn\u2019t see coming.<\/p>\n<\/div>\n

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When the mini series dropped in 2015, I knew there were expectations to be met. A group of unassuming and unrelated strangers are invited by mysterious hosts to dinner on a desolate island off the coast of Devon.\u00a0<\/p>\n<\/div>\n

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All from varying backgrounds and professions, the air of grace is shattered at the first dinner, when a recording played via a gramophone accuses them of various crimes. One by one, each of the guests are picked off, leaving minimal evidence as to who or what was after them.\u00a0<\/p>\n<\/div>\n

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The plot follows the rhyme of \u201cTen Little Soldier Boys\u201d, where each of the guests and the island\u2019s two caretakers are killed in a manner relating to the rhyme. You don\u2019t know who to trust or where to look.\u00a0<\/p>\n<\/div>\n

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The BBC television series shortcuts the novel\u2019s ending slightly, by making the \u201cbig reveal\u201d in the final moments of the episode. It makes for a more satisfying ending for those unfamiliar with the novel.\u00a0<\/p>\n<\/div>\n

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However, unfurling the killer\u2019s plan in the audio version is so scintillatingly delicious for Christie fans. And Then There Were None has been ranked among the world\u2019s best mystery novels, and it\u2019s clear to see why.<\/p>\n<\/div>\n

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\"POIROT:<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/p>\n

Poirot takes on one of his toughest cases, with the ultimate plot twist ending (Image: ITV)<\/span><\/span><\/div>\n

Poirot Investigates\u2026 Murder on the Orient Express (2010)<\/h3>\n<\/p>\n
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David Suchet will forever be the one and only Hercule Poirot, and Murder on the Orient Express is arguably Poirot\u2019s most famous case. It\u2019s really the epitome of a whodunnit, and the answer is\u2026 Oh no, now that would be telling.\u00a0<\/p>\n<\/div>\n

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You have a whole host of passengers on board the train who are all seemingly strangers. But as always, nothing is as it seems.\u00a0<\/p>\n<\/div>\n

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When American businessman Samuel Ratchett asks Poirot for his help after receiving death threats, which the detective refuses. Ratchett is then found brutally murdered in his cabin, just as the train becomes stuck in a snowdrift. There\u2019s nowhere for the murder to run or hide.\u00a0<\/p>\n<\/div>\n

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In lieu of any police on board, Poirot leads the charge of finding the murderer.\u00a0<\/p>\n<\/div>\n

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The murder uncovers the tragic story of Daisy Armstrong, the victim of a kidnapping and murder by American gangster, Casetti. The child\u2019s death leads to tragedy upon tragedy, culminating in Casetti escaping justice\u2026 until he meets his demise on the Orient Express.\u00a0<\/p>\n<\/div>\n

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The story constantly makes you ask who? What? When? How? Right until the very end. Christie\u2019s ending is probably among the biggest literary plot twists of all time. There\u2019s been nothing like it since.\u00a0<\/p>\n<\/div>\n

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\"Mia<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/p>\n

Death on The Nile is a cult classic with a stellar all-star cast (Image: Getty Images)<\/span><\/span><\/div>\n

Death on the Nile (1978)<\/h3>\n<\/p>\n
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Although my heart belongs to David Suchet, Peter Ustinov\u2019s version of Death on the Nile creates an authentic photo of the time it portrays\u2026 especially when compared to Kenneth Branagh\u2019s remake. Sorry, Kenneth.<\/p>\n<\/div>\n

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Ustinov\u2019s version of Poirot is different from Suchet\u2019s, priding himself on wit rather than subtle deductions with his \u201clittle grey cells\u201d, which makes for an interesting watch. Its jam-packed cast is nothing to be sniffed at, with a young Maggie Smith as the hoighty-toighty spinster-like nurse, Angela Lansbury as the ultimate caricature of an early 20th century romance novelist, and that\u2019s just the start of it. Jane Birkin, Bette Davis, David Niven, Mia Farrow, a tremendous group of acting talent.<\/p>\n<\/div>\n

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When a young heiress (Lois Chiles) dies on the S.S Karnak, everyone appears to have a motive. It\u2019s one of those stories where you don\u2019t know where to look, and where you are looking is probably wrong.\u00a0<\/p>\n<\/div>\n

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Death on the Nile is one of Christie\u2019s classics that keeps you on your toes throughout.\u00a0<\/p>\n<\/div>\n

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\"Poirot\"<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/p>\n

Murder In Mesopotamia takes Poirot to lands far away to solve a seemingly unsolvable case (Image: ITV1)<\/span><\/span><\/div>\n

Poirot Investigates\u2026 Murder in Mesopotamia (2002)<\/h3>\n<\/p>\n
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There are only a handful of Poirot stories that take place on different shores, and Murder in Mesopotamia brings a sense of adventure to the quaint detective novels. In classic Poirot fashion, he seems to have happened upon the murder\u2026 either he has great detective intuition or extremely ominous timing.\u00a0<\/p>\n<\/div>\n

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Poirot is led to an archaeological dig in Iraq by an old relation, where Swedish-American archaeologist, Dr Eric Leidner, is leading charge. His seemingly-neurotic wife, Louise (Barbara Barnes) has been tormented by death threats from whom she believes to be her dead ex-husband. After years of quiet, the threatening letters begin again, and she is ultimately found dead under suspicious circumstances.<\/p>\n<\/div>\n

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Poirot is tasked with finding her killer, as there seemed to be no conceivable way her murder was carried out. Has the past come to rear its ugly head or is it a ruse?<\/p>\n<\/div>\n

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\"Programme<\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/source><\/picture><\/p>\n

Nothing is as it appears in Ordeal By Innocence (Image: BBC\/Mammoth Screen\/ACL\/James Fisher\/Joss Barratt)<\/span><\/span><\/div>\n

BBC\u2019s Ordeal By Innocence (2018)<\/h3>\n<\/p>\n
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Another one of Christie\u2019s standalone mysteries. The BBC mini series was my first introduction to this particular Christie story, having finally read the novel in 2025 after resting on my bookshelf for years.\u00a0<\/p>\n<\/div>\n

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A murder, a potential miscarriage of justice, and a strange man appearing two years later out nowhere providing an alibi. Nothing is as it seems.<\/p>\n<\/div>\n

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The picture-perfect Argyll – written differently in the book – family are struck down by tragedy when matriarch Rachel (Anna Chancellor) is found dead in the family\u2019s palatial mansion, where she lived with her husband, five adopted children, and live-in maid.\u00a0<\/p>\n<\/div>\n

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The case seems simple enough, with troubled son Jack (played by Anthony Boyle) swiftly arrested for the crime. However, he\u2019s found dead in prison before ever standing trial.\u00a0<\/p>\n<\/div>\n

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Two years later, once the family finally seems at rest, geophysicist Arthur Calgary arrives to provide an alibi for Jack for the murder. The show unravels a whole web of issues hidden behind closed doors, with the murderer still among them.\u00a0<\/p>\n<\/div>\n

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The novel and TV series\u2019 endings differ, but both are equally messy. True Christie fans may want the show to remain faithful to the novel, but sometimes an alternate ending works better for television to up the ante.\u00a0<\/p>\n<\/div>\n<\/div>\n


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